3500+ Films - 2.5 million words – 1 million viewers! Founder and Curator Carmela selects our most entertaining, powerful and inspiring films about Hip Hop at We Are Moving Stories. These include feature length and short fiction and documentary about Black Lives Matter, global responses - and graffiti.

Total length of this section: 27 films.

<BLACK LIVES MATTER>

In the short film Woke a Pakistani-American wannabe rapper helps out an African-American activist on a hot Atlanta afternoon only for them to fall into a heated debate about hip-hop, appropriation, and identity. Length: 10 minutes. Leland Frankel Writes:

This is a film about our culture, and who has a right to use certain elements of it, and for what. Do our racial identities define who we are? Or are they secondary to the paths and beliefs that we choose for ourselves? These are broad, universal struggles that everybody has experienced at one point or another, but setting it in Atlanta, and examining the specific clash between South Asian and African-American culture (which was Venk’s experience growing up) lends it a totally unique point of view that is almost never seen on-screen.

Word Is Bond, A Curation of Resistance - A short poetic documentary, and a curation of resistance. Length: 45 minutes. Filmmakers Tiffany Johnson and Diana Ozoria:

Word Is Bond is a phrase born out of hip hop. Originally, the heartbeat of our film was hip hop, because hip hop is the song of resilience and survival. We realize, putting hip hop alone at the center of the conversation narrows the narrative. Hip hop is just one vehicle to express the feelings of oppression, and the rise despite of it. We want to capture art, as a whole, in its varying forms, as a tool to spark empathy, challenge perspectives, and showcase our power.

MY NAME IS MYEISHA is a feature length film about a beloved teenager who crosses over into a hip-hop-musical dreamscape at the moment of her tragic death and contemplates her life; what it was and what it could have been. Length: 82 minutes. Paulette Brown-Hinds writes:

The nameless character in Ralph Ellison’s novel Invisible Man has a line that I believe speaks to the nature of Myeisha’s challenge: “I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves or figments of their imagination, indeed, everything and anything except me.”

Where We're From: The Elements Documentary is a 90-minute exploration of the emergence of L.A.'s underground Hip Hop culture of the late 1990's-eary 2000's, recounted firsthand by some of its architects - the creators of Club Elements. Length: 89 minutes. Director/Producer Dj Breeze:

People should watch this film because these stories have not been told or exposed. Whenever you hear about West Coast Hip Hop, you only hear the stories about gangsta rap. Yes, that is part of our culture but it’s not all we are about. There is an entire world of hip hop that has influenced, not only LA, but the rest of the world. We were part of that community and we really felt that we were being overlooked and almost forgotten. Now, thanks to this film, those people and community finally have a voice.

Eve After Dark - A documentary exploring one man’s triumph to create a safe space for Compton’s youth in the early 1980s. This is the story of the first hip-hop club on the West Coast and home to the World Class Wreckin Cru. Length: 88 minutes. Director David Velo Stewart:

Through DJ cutting and scratching the film plays like a visual hip-hop mixtape. The creative mission of the film is to take the viewer back in time to the early 80s and let them feel what it was like to experience a night at Eve After Dark.

Lemme Go Talk My Ish - Red Shaydez “Loses Her Head” in new music video! Length: 3 minutes. Actor/Writer/Rapper Red Shaydez:

I want independent creators to know art like this is possible. It can be done without a million dollar budget. If it’s your passion, you will find a way.

<GLOBAL>

Lady Lash - Meet Lady Lash, an Australian-Aboriginal Greek Hip Hop Jazz MC, who returns to her ancestral lands for women’s business. Length: 60 minutes. Writer/Director Rochelle Humphrey:

You should watch Lady Lash as you will learn insight into an Aboriginal woman’s life and perception together with the importance of ‘connecting to country’ which means for Aboriginal people going to their ancestral lands and spending time in the natural environment and community.

Take your space - Hip-hop as a path of freedom confronting the global power of the capitalist system. Length: 1 hour 17 minutes 46 seconds. Director/Producer/Editor Karolina Alvarez:

It was constantly evolving with each new person that entered the project and brought some new point of view to the film and is based on the free expression of the artists.

B I D L A - Bidla means "change" in Maltese. A documentary by Amanda Eke. Bidla explores the music fusion of Ghana (traditional Maltese Folk Music) and Hip-Hop on the Mediterranean Island of Malta through the lens of Hip-Hop artists and cultural anthropologists. Length: 28 minutes. Writer/Director/Producer Amanda Eke:

I came to discover Malta in the summer of 2017, through a Fulbright Fellowship... However, the country’s charm and music made me stay a while longer. Besides teaching, I was performing Spoken Word Poetry in and out of clubs and bars in the underground scenes in Malta. Through that, I discovered a group of Maltese musicians performing a one-of-a-kind ballad and it was called, Għana (pronounced A-na). Għana at my first listen sounded like something I had never heard before; my ears were stunned hearing high pitched noises coming from these men’s voices.

Muôi - Despite a tumultuous childhood, a complicated present as a queer single mom navigating the limitations of a restrictive and traditional Vietnamese culture, and the daunting prospects of a bleak future, Muội Hồng persists in dreaming of life as an artist. She finds healing, strength, expression, community, meaning, and authenticity in her pursuit of hip-hop dancing. Length: 30 minutes. Director/Producer Amy Miller:

Muôi’s journey is a universal journey of self-discovery and desire to actualize beyond the circumstances they are born into.

FatFlava - El EP (The film) feat Teoría, Lou G, Ghanjah Man, Ghetto, Khafela, Kame & Mxrea - Fat Flava goes out at night and does a daily night tour while singing with the rappers around him. Length: 18 minutes. Director José Salvador Toj:

In Guatemala, hip hop music is frowned upon by society, a rapper is constantly pointed out as a criminal. A key question would be why these artists want to make hip hop music even though society doesn’t regard them well?

It's Wijilan - A short documentary about how hip hop can truly make an impact at the very core of life itself. truthful and heartwarming. Length: 20 minutes. Editor/Director Alexander Sinaga:

We do realize that kids are the future. Similar to the definition of “home”, they are the stepping stone.

Break The Scene: Japan - Japan is a country where the culture of street dance is really strong. In last 10 years, Japanese dancers are always at the top level of many competitions around the world such as RedBull BC ONE, FreeStyle Session and BBIC. This 16 minutes documentary, goes deep inside the hiphop dancing culture, that is surrounding Tokyo. Length: 15 minutes. Director Sylysak Taido:

You love Japanese culture, Japan’s night life and dancing? Break The Scene Japan makes you dive deeply into the dancing culture around Tokyo.

MARTHA & NIKI is a feature length documentary about Martha Nabwire and Niki Tsappos who took part in the biggest international Street Dance Competition, Juste Debout in Paris. It was the first time ever two women became World Champions in Hip Hop. Length: 92 minutes. Tora Mandawire Mårtens writes:

The first time I saw Martha and Niki dance was on Youtube, I was instantly amazed even felt seduced… no.. almost obsessed! Both of them carried so much that needed out through dance. I felt so excited about their energy and decided to capture that on film. They’re very different as individuals, which makes their relationship the more interesting to explore. Their friendship really touches the viewer on so many emotional levels. I was instantly swept away by their friendship from scene one and caught myself laughing, crying…even dancing.

Don't Play with L(Kn)ives - Don’t Play with L(Kn)ives shines a light on this taboo aspect of British culture - sharing untold and retold stories - to deliver a poignant message to young people. Director Omari 'Motion' Carter:

It is without a doubt, that many people in the UK have been affected by knife crime. I’m not sure how comparable it is to gun crime in the US, but it’s definitely too much. The murder of Stephen Lawrence in 1993 provided a huge shift in the racial dynamics in the UK, and this trend of crimes against people of colour shifting societal norms is showing no sign of slowing.

FIGHTER - A cinematic portrayal of a WorldStar Hip Hop fight. Length: 6 minutes. Director Erica Eng:

Fighter allows people to connect with the reality of misplaced aggression, anger and a subsequent tragedy that is so familiar but still devastating to inner city youth. Although the video itself does not present a solution to the issue of violence, it serves as a realistic depiction of what often happens in our neighborhoods. As people connect with the reality of the hurt felt by so many young people, they can choose to be part of the solution as mentors, artists and educators.

Only Yesterday - Under echoes of the past, Neto and his friends improvise rhymes about their future. Short film from Brazil. Length: 20 minutes. Writer/Director Jessica Candal:

Through the personal journey of Neto and his reality in the hip hop culture in Curitiba´s outskirts, the film explores the classic theme of coming of age, a period full of possibilities, when everything is yet to be determined. It’s an age when many paths seem possible, but it’s hard to take the first step towards a specific one.

Wave - The film records a day of Akebaierjiang, an Uyghur young man living in Urumqi, the capital of Xinjiang, China, whose life shifts between a passionate popping dancer and an ER doctor. Length: 5 minutes. Writer/Director/Editor Xiaoan Zhang:

The person in the film, Akebaierjiang, is my close friend. He has been loving Hip-hop dancing since high school, through seven years of med school to today while working as an ER doctor. I spent two days with him during a holiday when I went back to my hometown. I saw him try to seize a couple of hours to practice dancing before a long night shift. I heard him talking about how he wants to quit the job as a doctor and to be a professional dancer, but he is afraid of this idea and he knows his family may consider him crazy.

<REAL-LIFE STORIES>

Lumpen Crew: Underground Rumblings (Lumpen Crew: Diálogos Subterráneos) - Santiago, Chile. As mass student protests roil the country, Lumpen Crew, a collective of young hip-hop activists, begin to organize as a political force. As the movement progresses, state repression intensifies. A young labor leader with ties to Lumpen Crew is assassinated and the collective disbands. However, the group’s music and political commitment will mark an entire generation of young rebels. Length: 52 minutes. Director/Producer Francisco Núñez Capriles:

The film captures a moment of creative, political, and collective virtuosity that is both inspiring and thought-provoking. The documentary offers an intimate and up-close view of the process as it unfolds, allowing you to become fully immersed in the experience of these young people fighting for their ideals with all their might, and trying to overcome precarious conditions.

N.E.S.T - A battle to change lives through hip-hop culture. Length: 51 minutes 32 seconds. Director Fernanda Turchetto:

If we love a culture, or intend to explore anything we should always look further into other cultures, countries, and people. The Hip-Hop culture is known as a fight, a fight for its own space, acknowledgement or even in its people’s daily battles beyond the music or arts. Prejudice is a strong word but I can say I’ve witnessed it while recording and living with N.E.S.T.

<GRAFFITI>

ADIJA Written and Directed by Apollonia Thomaier

ADIJA Written and Directed by Apollonia Thomaier

ADIJA is an animation about a young girl from the Brox finds escape from her unhappy family life through her graffiti art. Length: 4 minutes and 8 seconds. Apollonia Thomaier writes:

One should watch this film because it is like looking at yourself. All persons at some point in their lives have felt the fear of a family falling apart. Even though the adult conversation had nothing to do with you personally, and it was held behind “closed doors,” you still can feel it. We all have felt that way.
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The Art Of Hustle: Street Documentary - Street Artist, Homeless Artist or High End Artist: all the things that separated them ironically brought them together. Length: 58 minutes. Writer/Director/Producer Tysen Knight:

What I want the audience to take away from my film is the growth from street artist to actual gallery artist. I want the viewer to take that journey with me and feel a part of that journey. I also want to educate people about the positive side of street art and graffiti.
GRAFSTRACT: The Bronx Street Art Renaissance Written, Directed and Produced by Dan Perez

GRAFSTRACT: The Bronx Street Art Renaissance Written, Directed and Produced by Dan Perez

GRAFSTRACT: The Bronx Street Art Renaissance is a short documentary about enhancing The Visual Landscape of Urban Communities with Art. Length: 17 minutes. Dan Perez writes: 

I grew up in the Bronx with graffiti all around me; the trains, alleys and handball courts were art galleries for me. Living now in South Florida, I’ve seen the power of street art in Miami’s popular Wynwood Arts District and how it can revitalize a community. The veteran graffiti artists in my film speak on the progression of graffiti to street art, which I personally found quite interesting.
Quest: The Truth Always Rises Written, Directed and Produced by Santiago Rizzo

Quest: The Truth Always Rises Written, Directed and Produced by Santiago Rizzo

Quest: The Truth Always Rises is a feature length drama about a non-romantic true love story between a child in crisis, addicted to graffiti, on the brink of destruction, losing faith in integrity, and a humble teacher who believes there is no such thing as a bad kid, only a bad situation. Length: 85 minutes. Santiago Rizzo writes:

It’s very honest and revealing and for those who don’t want to feel uncomfortable, then it’s not for them. For those who have been hurt, abused, undervalued or wounded, then this is the perfect movie of tenderness and love that can help them get through the pain and launch them into a future they deserve. Only when we accept the pain, can we get to the release and come to a deeper love, courage and completeness.
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Louie KR ONE Gasparro 5Pointz - A short documentary featuring Louie (KR.ONE) Gasparro and his love for graffiti which was rekindled at the legendary 5Pointz graffiti mecca in Long Island City, New York. Louie Gasparro reminisces about what 5Pointz means to him and to the wider graffiti art world. Length: 6 minutes. Director/Producer/Writer/Editor Eirini Alligiannis:

5Pointz has become a part of Queen’s history for over 40 years. A great collection of artists had fought for this place initially, despite it no longer being there. It has left a massive impression internationally, celebrating collaborative work. Louie speaks candidly about his connection to the work he’s contributed there and divulges into the secretive world of a graffiti artist.
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Hip Hop & Holiness: Meet the Godfather of Sydney Graffiti - Meet the hip hop dancing Pastor who can freestyle rhyme and is one of Australia’s most prolific graffiti writers. Length: 12 minutes. Director/Producer Bella Ann Townes:

It’s fascinating, unorthodox and I believe will both inspire and challenge your perception of what it means to be a Christian and what it means to be a graffiti writer. Both cultures can be misunderstood at times and this film breaks stereotypes while giving the audience insight to the history of graffiti in Australia and reasons why artists do it.

Tlacuilos - Chuck, a Nicaraguan graffiti pioneer, begins a trip through Central America in which he alters the spray can of the different "writers" of each country in the region. It takes us to know the movement from its beginnings. Its lines unite us to create an urban cultural bridge. Length: 81 minutes. Writer/Director/Producer Federico Peixoto:

I wanted to document the evolution of Graffiti in Costa Rica since day one, later I decided to document the whole Central America region since we have a similar story and it is a forgotten part of the world.