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DTLA Film Festival / Katra Film Series 2019 – Sum Of Us

October 30, 2019 by Carmela Baranowska

Sum Of Us was first workshopped as an experimental piece that explores and deconstructs the often-mythologized beliefs surrounding acting. Director Anthony Meindl and his world-famous acting studio follow and film actors on their journey of telling stories as themselves (and as the roles they play) and demonstrates that our beliefs about art, acting, ourselves and the cosmos are not always what we think they are. The project explores such topics as Aging, Teen Domestic Abuse, Alzheimers, Global Warming/Pollution, Carl Sagan and our role in the Universe.

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October 30, 2019 /Carmela Baranowska
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Leeds International Film Festival 2019 – Plasmid

October 30, 2019 by Carmela Baranowska

A young nurse must fight for her life when her house has been invaded by an unearthly intruder.

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October 30, 2019 /Carmela Baranowska
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Cucalorus 2019 – Pooling

October 29, 2019 by Carmela Baranowska

A breakdancer breaks...literally.

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October 29, 2019 /Carmela Baranowska
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Take One Thing Off

October 29, 2019 by Carmela Baranowska

Chanteuse/bon vivant Scout Durwood has spent most of her adult life singing in New York supper clubs and dive bars, fostering a meaningful connection between audience and performer. Now living in Los Angeles, where IRL seems IR-elevant, she’s stepping onto the biggest, strangest stage of all: The Internet.

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October 29, 2019 /Carmela Baranowska
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DTLA Film Festival / Kansas International Film Festival 2019 – Buck Run

October 28, 2019 by Carmela Baranowska

In rural Pennsylvania, the loss of 15-year-old outsider Shaw Templeton's mother forces him into the unsteady care of his estranged, recluse father, William.

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October 28, 2019 /Carmela Baranowska
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DOCNYC / Cucalorus 2019 – That Joke Isn't Funny Anymore

October 27, 2019 by Carmela Baranowska

Can Lindsay's love for her husband Paul sustain her through the trauma of his brain injury, which leaves him in a perpetual loop of memory loss and joke-telling?

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October 27, 2019 /Carmela Baranowska
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Provinziale Filmfest Eberswalde / Croatia Student International Film Festival 2019 – New Year's Eve

October 26, 2019 by Carmela Baranowska

On Chinese New Year’s Eve, a 19-year-old boy tries to reconnect with his mother after going to kung fu school against her will.

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October 26, 2019 /Carmela Baranowska
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DTLA Film Festival 2019 – Bias

October 26, 2019 by Carmela Baranowska

Bias challenges us to confront our hidden biases and understand what we risk when we follow our gut. Through exposing her own biases, award-winning documentary filmmaker Robin Hauser (CODE: Debugging the Gender Gap, Running for Jim) highlights the nature of implicit bias, the grip it holds on our social and professional lives, and what it will take to induce change.

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October 26, 2019 /Carmela Baranowska
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Morbido Film Festival / Marina Del Rey Film Festival 2019 – Shadow at the Door

October 25, 2019 by Carmela Baranowska

In Roshni "Rush" Bhatia’s short film, Shadow at the Door, a troubled young woman searches for an intruder in her home unaware that what she’s really looking for maybe something she refuses to see.

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October 25, 2019 /Carmela Baranowska
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Hot Springs Film Festival / Austin Film Festival 2019 – Guest House

October 25, 2019 by Carmela Baranowska

Three women meet in a re-entry house as they attempt to acclimate to life after being released from incarceration and battling addiction.

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October 25, 2019 /Carmela Baranowska
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Lady Filmmakers Festival 2019 – Alt

October 24, 2019 by Carmela Baranowska

15-year-old Nolan is on an inter-dimensional run for his life as a monstrous Evil pursues him through one reality after another.

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October 24, 2019 /Carmela Baranowska
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Number 6

October 24, 2019 by Carmela Baranowska

Taim, a 13 years old boy from Syria takes us through his grief when his father's incident changes his life forever.

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October 24, 2019 /Carmela Baranowska
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Lady Filmmakers Festival / FirstGlance Film Festival Philadelphia 2019 – Hide and Seek

October 23, 2019 by Carmela Baranowska

Two girls on a long road trip try to leave a small, nameless town. Ignoring a warning, they take a risky detour and quickly become lost. Frustration turns to terror as they’re abducted by a figure from the darkness. The film rapidly accelerates, culminating in a climactic showdown on a dark road where nothing appears to be as it seems.

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October 23, 2019 /Carmela Baranowska
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San Jose International Short Film Festival / Paris International Lesbian & Feminist Film Festival 2019 – Brave Little Army

October 22, 2019 by Carmela Baranowska

The bold new girl at school inspires three classmates to follow her down a blissful path of self-realization, where they stumble upon a dark truth that forever galvanizes their friendship.

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October 22, 2019 /Carmela Baranowska
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Festival du Nouveau Cinema 2019 – Shannon Amen

October 22, 2019 by Carmela Baranowska

Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.

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October 22, 2019 /Carmela Baranowska
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The Wild Ones

October 19, 2019 by Carmela Baranowska

"¿Qué le pasó a Nicole?" Camila and Rico ride their bikes around the San Fernando Valley in search of their missing friend struggling to realize the answers they're looking for might forever tear them apart.

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October 19, 2019 /Carmela Baranowska
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Lady Filmmakers Film Festival 2019 – Crystallica

October 18, 2019 by Carmela Baranowska
 

Flourishing dancing nymphs, a diamond woman, a golden man. Crystallica is a metaphor for women’s empowerment and self-love. Of flourishing and letting others flourish around.

Interview with Writer/Director/Editor Nina Caspari

 

Congratulations! Why did you make your film?

In my working practice, I am combining snippets of dreams to form whole new stories on their own. I am using the stylistics of poetry as visual translation ~ Audiovisual Poetry. In creating imaginative dreamlands I invite the viewer to dive into surreal metaphors of life.

The idea of Crystallica came up during a daydream on a plane. A daydream of a powerful woman, confidently walking through a surreal landscape of clouds. And Crystallica was born.

Imagine I’m a member of the audience. Why should I watch this film?

If you are a lover of the art of moving image and keen to experience surreal metaphors of life, you will enjoy the kaleidoscopic choreographies and the visual surprises in an old-school Hollywood setup - all shot on 16mm.

Crystallica

How do personal and universal themes work in your film?

The universal theme of the movie is self-love. The idea that you first have to love yourself in order to be able to love others.

The source of love lies within yourself.

(Inspired by philosopher Erich Fromm's - 'The Art of Loving')

How have the script and film evolved over the course of their development?

When I started making the movie I was not really aware that it was about self-love in the first place.

I thought about it more as a woman's love declaration towards a man, finding out later that it was so much more than that.

This is a big part of my working process in film as in photography. Most of my inspiration comes from my dreams. By visually translating my most vivid and memorable dreams I am giving shape to the inner workings of my subconscious. This process has become a powerful tool to freeze time and emotion. And opened up a lot of surprises.

behind the scenes of Crystallica - Director Nina Caspari with choreographer Enora Oplinus and her dreamdancers

What type of feedback have you received so far?

I heard a lot of times that the imagery of Crystallica has a beautiful and powerful impact and sticks in mind. People are enthusiast about the visual surprises and delighted as it gives them a strong and positive feeling and makes them dream away.

Has the feedback surprised or challenged your point of view?

Not yet...

What are you looking to achieve by having your film more visible on www.wearemovingstories.com?

I would love to get Crystallica seen by an as wide audience as possible, as it is an important universal theme packaged in a visual delight and in this way accessible for a wide public.

Who do you need to come on board (producers, sales agents, buyers, distributors, film festival directors, journalists) to amplify this film’s message?

I would love to come on board with sales agents, buyers, distributors, film festival directors and journalists to amplify Crystallica's message.

For my next project, I am looking for a producer though.

behind the scenes of Crystallica - The Crystallica crew in full action in ‘Studio Regie’

What type of impact and/or reception would you like this film to have?

I would love Crystallica to inspire people to loosen the tightness of life and open up for dreaming. To gain strength in starting to love themselves, to embrace ease and trust in their lives and being kind with themselves to get get the ability to truly being kind with others.

What’s a key question that will help spark a debate or begin a conversation about this film?

What if you start loving yourself?

What other projects are the key creatives developing or working on now?

I am currently working on a feature film script on emotional abuse.

As emotional abuse is invisible in most cases and much more difficult to detect than its physical counterpart, I aim to combine fiction with experimental sequences of imaginative and surreal metaphors of abuse.

It is going to be a sharp thriller of beautiful but horrifying imagery, which draws attention to this still commonly accepted grievance of society.

Crystallica poster

 

Interview: October 2019


We Are Moving Stories embraces new voices in drama, documentary, animation, TV, web series, music video, women's films, LGBTQIA+, POC, First Nations, scifi, supernatural, horror, world cinema. If you have just made a film - we'd love to hear from you. Or if you know a filmmaker - can you recommend us?  More info: Carmela


Crystallica

Flourishing dancing nymphs, a diamond woman, a golden man. Crystallica is a metaphor for women’s empowerment and self-love. Of flourishing and letting others flourish around.

Length: 4:06

Director: Nina Caspari

Producer: Nina Caspari

Writer: Nina Caspari

About the writer, director and producer:

NINA CASPARI is a German film director and photographer, currently based in London. The main focus of her work lies in taking the meaning of life into pieces and reconstructing it through her own gaze. In giving shape to imaginative dreamlands she invites the viewer to dive into surreal metaphors of life.

Key cast: Anna Caspari (Diamond Woman), Claude Musungayi (Golden Man), Enora Oplinus, Melissa Mihaly, Tugba Cetinkaya, Sarah Mancini, Linne Dierckx, Julie Thomas (Dreamdancers)

Looking for: sales agents, distributors, journalists, film festival directors, producers, buyers

Facebook: Nina Caspari

Twitter: @CaspariNina

Instagram: @audiovisualpoetry

Hashtags used: #ladyfilmmakers #officialselection #ladyfilmmakersfestival #beverlyhills #losangeles #femalefilmmakers #womeninfilm #womeninarts #crystallica #oldschoolhollywood #16mm #synchronizeddancing #sfx #vfx #imagination #audiovisualpoem #audiovisualpoetry #director #filmdirector

Website: www.ninacaspari.com

Other: Vimeo

Funders: Self-funded, with kind support of Studio Regie and Freelance Camera

Where can I watch it next and in the coming month? Lady Filmmakers Festival / Beverly Hills, California - 28th September 2019

TBC"

October 18, 2019 /Carmela Baranowska
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Heartland International Film Festival / San Diego International Film Festival 2019 – Philophobia

October 18, 2019 by Carmela Baranowska

Set in the rolling hills of the English countryside, Philophobia is a picture of small-town adolescence. One week of highschool remains for Kai, an aspiring writer, and his friends. How they choose to spend this time will awaken sexual desires, cost one of them their life, and leave them all changed forever.

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October 18, 2019 /Carmela Baranowska
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Lady Filmmakers / Valley Film Fest 2019 – You Drive Me Crazy

October 17, 2019 by Carmela Baranowska

A GPS takes revenge on a cheating husband and Glen ends up on the ride of his life!

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October 17, 2019 /Carmela Baranowska
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Amazon 2019 – Pie Car

October 17, 2019 by Carmela Baranowska

A vegetarian lion tamer, a trapeze artist madly in love, an aerialist in a tough situation, a brother and sister elephant act in conflict, and a cook who only has one piece of pie left, richly developed characters will leave you wanting more. Filmed in the Circus mecca, Sarasota, on a train car that John Ringling himself used, Pie Car will keep you on the edge of your seat.

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October 17, 2019 /Carmela Baranowska
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