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Santa Barbara International Film Festival 2019 – Fathom

February 07, 2019 by Carmela Baranowska

Haunted by the death of his daughter, a fisherman descends into madness while unearthing an environmental scandal.

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February 07, 2019 /Carmela Baranowska
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Slamdance 2019 – Tunnel Ball

February 07, 2019 by Carmela Baranowska

Bret goes to a new school where everyone is identical except for him. After an impressive game of Tunnel Ball, Bret accidentally reveals his enormous penis. He is banished from the school. In order to play again, Bret disguises himself as one of the other students and manages to get named as the Tunnel Ball team captain.

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February 07, 2019 /Carmela Baranowska
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Santa Barbara International Film Festival / Big Sky Documentary Film Festival 2019 – The Clinic

February 06, 2019 by Carmela Baranowska
 

Amidst a devastating opioid epidemic, a needle exchange and free clinic operates in the shadows of Fresno, California.

Interview with Writer/Director/Producer Elivia Shaw

 

Congratulations! Why did you make your film?

As a filmmaker, I'm always interested in loaded spaces. By that I mean, a space that acts as a microcosm for larger social issues we are experiencing together as a culture. For me, the opioid epidemic we've been experiencing in this country for years now is symptomatic of so many larger issues - obviously it's linked to healthcare, but even our approach to healthcare in the US is driven by commercial interests which means that most of us are on our own. The idea of the doctor who has time and interest in you is only something that exists for the extremely wealthy. Combine that with the pervasive attitudes towards addiction as a personal failing and no wonder we are seeing this problem on a scale never experienced before. So I knew I wanted to find a space that spoke to these issues but was not about the individual addict and their experience. I respect those stories, but for me, I wanted to talk about the system in an intimate way.

Imagine I’m a member of the audience. Why should I watch this film?

One of the things I kept hearing from patients at the clinic was that this was a safe space for them where they felt respected and listened to. Because of their addiction they rarely felt that anywhere else in their lives. I hope by showing Dr. Lasher's interactions and the communication back and forth we can all learn something about how to treat others who may be suffering in one way or another. I think many of the patients in the film participated because they wanted an audience to see what this kind of care could look like. I hope that the camera breaks some of the boundaries for the audience and if they are dealing with something similar in their own lives they may be more likely to engage with that person after seeing the film. I also think Dr. Lasher is an amazing example of someone who takes care of his community no matter the consequences.

How do personal and universal themes work in your film?

I think in this film we get a series of extremely personal moments but because I chose to not follow one patient or make it about Dr. Lasher as a person the space is a universal space. I think respect for anyone struggling comes through but also I think each of us will probably have a different reaction to each patient depending on whether there is something about them that we identify with. I know that I certainly had different reactions to different patients as I was filming and it was definitely harder for me when a young woman arrived at the clinic.

How have the script and film evolved over the course of their development?

Well, I had no control over who showed up each week at the clinic or what was going to happen between them and Dr. Lasher so besides the camera work evolving as I got used to the space the major evolution was finding the right order of patient interactions so that the film has a satisfying arc. That was the major issue in the edit.

Dr. Marc Lasher in the Clinic

What type of feedback have you received so far?

I'm just beginning to show the film at festivals and publicly so I haven't had a ton of feedback outside of those who helped me during the process of making the film. I am looking forward to showing it to those who have struggled with addiction and the addiction medicine community. I think that the major feedback I've been really excited about is that the way the film is shot and edited creates a strong sense of empathy towards the patients. I know that this kind of film could easily turn voyeuristic and I was worried about that during filming. So to hear that the camerawork translated respect is great to hear.

Has the feedback surprised or challenged your point of view?

Not so far, but I'm really excited to start showing it to audiences and participating in Q&As.

What are you looking to achieve by having your film more visible on www.wearemovingstories.com?

I think that this film is important and part of the conversation about how we make a sustainable difference in healthcare in this country. So I want it to stir up debate and conversation.

Who do you need to come on board (producers, sales agents, buyers, distributors, film festival directors, journalists) to amplify this film’s message?

The film is just beginning its festival run so I'd love for more film festivals to come on board and I will be looking for distribution so that the film can reach an even broader audience. I'd also like those in the medical community who might be interested in using the film as a teaching opportunity to be able to access it.

What type of impact and/or reception would you like this film to have?

I hope that the film is accessible to enough people that it could make an impact on those with the power to shape medical policy and addiction treatment in this country. And I would like it to remind audiences that one person who says, screw the rules, I see a need and I am going to do something about it, can have an amazing impact on so many people's lives. In this case, save a ton of lives.

What’s a key question that will help spark a debate or begin a conversation about this film?

Addiction is already such an isolating experience, how did we get to a point where our approach to addiction treatment has become about personal failing and not about treating it as a disease.

What other projects are the key creatives developing or working on now?

I'm developing a film right now about a building in Oakland that has an amazing history that encapsulates so many of the issues we are facing here, especially regarding housing and gentrification. Stay tuned for more!

 

Interview: February 2019


We Are Moving Stories embraces new voices in drama, documentary, animation, TV, web series, music video, women's films, LGBTQIA+, POC, First Nations, scifi, supernatural, horror, world cinema. If you have just made a film - we'd love to hear from you. Or if you know a filmmaker - can you recommend us?  More info: Carmela


The Clinic

Amidst a devastating opioid epidemic, a needle exchange and free clinic operates in the shadows of Fresno, California.

Length: 16:20

Director: Elivia Shaw

Producer: Elivia Shaw

Writer: Elivia Shaw

About the writer, director and producer:

Born and raised in Washington, DC, ELIVIA SHAW is driven by filmmaking that uses intimacy and personal narrative to question our larger social systems and cultural identities. Her work has screened at festivals including DOC NYC, LAFF and Big Sky Documentary Film Festival and has been shortlisted for the student BAFTA awards. She has also worked on award-winning television series and feature documentaries for Al Jazeera, National Geographic, HBO and PBS. She holds an MFA in Documentary Film from Stanford University.

Looking for: distributors, film festival directors

Facebook: Elivia Shaw

Instagram: @eliviashaw

Website: www.eliviashaw.com

Other: Vimeo

Where can I watch it next and in the coming month? Santa Barbara International FF - Jan 31 and Feb 1; Big Sky Documentary Film Festival/Missoula MT - Feb 16th

February 06, 2019 /Carmela Baranowska
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Slamdance 2019 – Gloria's Call

February 06, 2019 by Carmela Baranowska

In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. “Gloria’s Call” uses art, animation and storytelling to celebrate this wild adventure from the cafes of Paris to the mountaintops of Samiland. Forty years later, Dr. Gloria Orenstein is a pioneer scholar of women in Surrealism and ecofeminism. Her delightful tale brings alive an often unseen history of women in the arts.

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February 06, 2019 /Carmela Baranowska
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Chicago Feminist Film Festival 2019 – The Distance

February 06, 2019 by Carmela Baranowska

The struggles and beauty of a long-distance relationship.

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February 06, 2019 /Carmela Baranowska
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Chicago Feminist Film Festival / Boston Sci-Fi Film Festival 2019 – Andromeda

February 05, 2019 by Carmela Baranowska

Through her love and care of a human child, an android learns what it means to be truly alive, putting her in grave danger.

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February 05, 2019 /Carmela Baranowska
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Santa Barbara International Film Festival 2019 – A Cohort of Guests

February 05, 2019 by Carmela Baranowska

A group of friends enjoy a casual summer dinner party until they are shockingly interrupted by an uninvited guest.

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February 05, 2019 /Carmela Baranowska
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Slamdance / Clermont-Ferrand International Film Festival 2019 – EGG

February 05, 2019 by Carmela Baranowska

A woman is locked in her home with an egg. She eats the egg. She repents. She kills it. She lets the egg die of hunger.

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February 05, 2019 /Carmela Baranowska
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Santa Barbara International Film Festival 2019 – The Running Man of Pasadena

February 04, 2019 by Carmela Baranowska

A 70-year old Lebanese immigrant finds happiness and community through a hobby he discovers late in life.

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February 04, 2019 /Carmela Baranowska
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Clermont-Ferrand Short Film Festival 2019 – Only Yesterday

February 04, 2019 by Carmela Baranowska

Under echoes of the past, Neto and his friends improvise rhymes about their future.

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February 04, 2019 /Carmela Baranowska
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Chicago Feminist Film Festival 2019 – Beyond the Barrier

February 04, 2019 by Carmela Baranowska

A young boy and girl find a way to remain friends in the midst of the Israeli-Palestinian conflict.

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February 04, 2019 /Carmela Baranowska
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Santa Barbara International Film Festival 2019 – Tino

February 03, 2019 by Carmela Baranowska

Tino tells the story of a lifelong cattleman whose dedication to ranching surpasses the modern-day forces challenging his way of life. As Northern California experiences severe drought, expanding vineyards, and the declining price of beef, Tino adapts to changing conditions and continues to nurture the cattle, ranch, and woman he loves.

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February 03, 2019 /Carmela Baranowska
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Slamdance 2019 – 601 Revir Drive

February 03, 2019 by Carmela Baranowska

A series of spatial limits are defined while a maker imbibes. Interdependence is inherited after a substance cannot be shook. An animal carefully guards an outlined space as a river runs backwards.

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February 03, 2019 /Carmela Baranowska
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Flickerfest 2019 – The Craft

February 03, 2019 by Carmela Baranowska

A Hollywood acting guru challenges a young actress to confront her demons in order to maximize her potential.

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February 03, 2019 /Carmela Baranowska
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Coven Film Festival 2019 - One Small Step

February 02, 2019 by Carmela Baranowska

A 9-year-old girl attempts to juggle the responsibilities of school and her younger siblings after her mother goes missing.

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February 02, 2019 /Carmela Baranowska
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Slamdance 2019 – Frontier Wisdom

February 02, 2019 by Carmela Baranowska

In the dry desert space between here and there, a phone repairwoman encounters a chatty corpse, a self-propelled peanut, and some portents of the rapture.

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February 02, 2019 /Carmela Baranowska
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Slamdance Grand Jury Prize 2019 – Woman in Stall

February 02, 2019 by Carmela Baranowska

A woman finds herself trapped in a bathroom stall by a man whose intentions are not entirely clear.

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February 02, 2019 /Carmela Baranowska
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Coven Film Festival 2019 – Consomme

February 01, 2019 by Carmela Baranowska

A young woman’s fiercest self takes over to fight for her life when’s she attacked.

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February 01, 2019 /Carmela Baranowska
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Clermont-Ferrand International Short Film Festival 2019 – Viktoría

February 01, 2019 by Carmela Baranowska

A strong-willed woman in her 60s has to face running her dairy farm on her own.

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February 01, 2019 /Carmela Baranowska
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Slamdance 2019 – Bloeistraat 11

February 01, 2019 by Carmela Baranowska

Inseparable best friends spend their last summer holiday of childhood amusing themselves around the house. As summer progresses their bodies start to morph and shift and an awkwardness descends on their friendship.

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February 01, 2019 /Carmela Baranowska
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