3500+ Films - 2.5 million words – 1 million viewers! Founder and Curator Carmela selects some of our most entertaining, powerful and inspiring films about Fashion at We Are Moving Stories. These include feature length and short fiction and documentary covering teen girls, body image, cosplay, style, the role of the fashion industry; and its people.

Total length of this section: 20 films.

<TEEN GIRLS>

Two Piece - Ava is on the way to the beach with her mum Kelly and little brother Wally, but before they go she needs to find a new swimsuit. At the age of 13, this task is nowhere near as simple as it sounds. Length: 6.45 minutes. Writer/Director Greta Nash:

I want people to watch this film and hopefully feel a sense of relief from seeing an element of themselves portrayed with heart onscreen. I think film has the power to make people feel less alone - that’s my only real goal.

Little Miss Perfect - An overambitious high school freshman tries to control her life by controlling her weight. Length: 83 minutes. Writer/Director Marlee Roberts:

Little Miss Perfect aims to tell the story of a girl who struggles to control her life by controlling her weight. This need for “control” had led me to discover an unhealthy online subculture of pro-eating disorder material when I was in high school and much like our protagonist Belle, I was fascinated and compelled by it, even in knowing that it was wrong.

<BODY IMAGE>

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Straight/Curve: Redefining Body Image - A documentary about our body image crisis and the industry leaders challenging society’s dangerous and unrealistic standards of beauty. Length: 1:22:12 minutes. Director/Producer Jenny McQuaile:

The documentary has received terrific feedback from inside the fashion industry and society at large. I think women and younger girls are desperate for content like this where they can see themselves reflected on screen.

Measure Up - Plus vs straight size is an ongoing battle, but why must we discriminate and separate them? Documentary about sizeism in the plus size modelling industry, media representation, and body confidence. Length: 10.30 minutes. Writer/Director Jess Pardoe:

Universally, plus size celebrities are extremely uncommon. Despite the fact that the media is convinced we now have role models of all shapes and sizes, we do not. Adele and James Corden are both examples of plus size celebrities who inspire the younger generation, but there are very few others who are known globally. This is something that I hope will change over the coming years, and the pressure on young people to look like celebrities will become more acceptable as the celebrities themselves (hopefully) begin to allow their natural body shape without plastic surgery or freak diets. I believe that as long as you are healthy, your body shape should be accepted and celebrated.

Enough - A short film about women's struggles with negative body image and eating disorders. In a world that teaches us to hate our bodies, be afraid of food and weight gain, and that our self worth comes from our looks, this film challenges those social norms. Length: 8 minutes. Director Seri DeYoung:

It’s worth examining the darker sides of our own psyches. So many of us deal with negative self talk- especially around the subject of body image. In order to break that cycle, it must first be acknowledged. Hopefully this film provides that first step for our viewers.

<COSPLAY>

I Love Your Cosplay - Separated from her friends, timid and geeky Abby must find the courage to walk alone at a Comic Book Convention, don her costume, and meet her lifelong idol Asher Regis. Length: 9.09 minutes. Director Kia Anne Geraths:

The first comic book convention I ever went to was in Seattle. I found myself completely dazzled by the array of costumes and characters I came across. It was a nerd-gasm experience to say the least. The amazing thing about cosplay is it’s like a giant “I like this” beacon. You immediately can find and connect with someone based on a common interest one or both of you are literally wearing. In a world of digital media, digital friendships, it’s absolutely awesome to see these face to face interactions and friendships created by a maker hobby.

Armoured Cosplay - Can rising cosplay star Suzanne complete one of her most elaborate costumes in time? Length: 3.03 minutes. Director Sam Hardy:

My reason for creating this series stemmed from noticing that something that was once quite an outsider pastime had exploded into a massive global phenomenon with almost all of the box-office smash being based off comic book films – yet within this market nothing much had been done beyond docos pointing out how weird it is to like Star Trek.

<STYLE>

The Incomparable Rose Hartman - Portrait of the legendary New York celebrity and style photographer Rose Hartman, whose sharp eye and sharper attitude have created some of the most iconic pop culture images of her time. 

We think one of the things our film demonstrates is that even though Rose has taken a lifetime worth of photos, the eras they document took place before the entire culture went digital and when women photographers were outsiders. The fact is, what we think of today as “Studio 54” is deeply informed by Rose’s images.

Jewel's Catch One celebrates the legacy of a legendary Los Angeles nightclub, Catch One, and the life-changing impact its owner, Jewel Thais-Williams, had on her community breaking down racial and cultural barriers and building the oldest black-owned disco in America. Jewel’s story celebrates music, fashion, celebrities and activism that helped changed the course of our country. Writer/Director/Producer C. Fitz:

It will take you on a ride, initially as a recording of a legendary nightclub with celebrity and patron stories, music and dancing. Then, about 20 minutes into the film you realize this is much more than a simple documentary, it’s a unique recording of history, music and standing up to discrimination. There is incredible talent in the film but also a large lesson for everyone from Jewel.

Larger Than Life: The Kevyn Aucoin Story explores the life of the iconic make-up artist, who transformed the profession into a prominent and influential art form. Length: 102 minutes. Director Tiffany Bartok:

Kevyn thought every single person on earth was beautiful. Race, size, and gender didn’t matter. He brought what was interesting and unique about them to the forefront and enhanced it. The most difficult thing for him was to find it in himself. Every single one of us struggles with this at one point in our lives.

<FASHION INDUSTRY>

Star Shaped Scar - Jasmin Britney loves high-heeled shoes that are impossible to walk in. Length: 12.40 minutes. Writers/Directors Virva Kunttu and Vuokko Kunttu:

Is it wrong to dedicate your life to things are beautiful and to collect designer shoes that cost over 5000 euros? Why is it that collecting feminine beautiful things is considered shallow and wrong? Is this lifestyle more acceptable to some people than others?

Take a Walk on the Wildside - Opening the doors to Toronto’s oldest cross-dressing stores, viewers get a glimpse into the colourful lives of the customers and their tender relationships with the eccentric storeowner, revealing that Wildside continues to play a vital role for Toronto’s cross-dressing community. Length: 15 minutes. Writer/Director Lisa Rideout:

But what did emerge as universal was that even though each customer had their own reason for cross-dressing they sought a place where they could be supported. When I first visited Wildside I wondered why people would go there when they could just buy wigs or shoes online or go on youtube if they needed help with makeup. But what became clear was that they were seeking out human connection with someone they could trust. .
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RiverBlue: Can Fashion Save the Planet? - Following international river conservationist, Mark Angelo, RIVERBLUE spans the globe to infiltrate one of the world’s most pollutive industries: fashion. Narrated by clean water supporter Jason Priestley, this groundbreaking documentary examines the destruction of our rivers, its effect on humanity, and the solutions that inspire hope for a sustainable future.
Length: 95 minutes. Producer/Director Roger Wiliams and Producer Lisa Mazzotta:

We made this film to act as an agent for change in the fashion industry in order to help conserve the rivers and waterways on our planet.

Tomorrow and The Butterfly - How can you have beauty without sustainability? Length: 1 hour 16 minutes. Co-Writer Jorge Blanco and Co-writer, Director, Producer Alessandro Soetje:

Tomorrow and The Butterfly is a feature-length documentary filmed in six vignettes that tells stories of sustainability, beauty and diversity around the world that converge with Davines Chairman Davide Bollati’s vision of business and brand ethos. The audience goes on a journey from Parma to Tuscany to Cambodia to Portland, Oregon and through these true stories, we find a common thread in the episodes and their characters’ independent, yet collective belief, that something truly beautiful and good is possible.

<PEOPLE>

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Ingrid - is an intimate look at a woman who left her life as a successful fashion designer and mother in Texas to become a reclusive hermit, immersed in nature, focused solely on creating art. Length: 52 minutes. Director/Producer Morrisa Maltz:

I wanted the audience to be able to meditate on their own choices and purpose in life. I think it’s so easy to get caught up in the day-to-day of life and forget that we have choices we can make for ourselves – we can create the life we want and imagine a life outside of what society may prescribe. I want this aspect of the film to be a source of conversation – to think about why we do the things we do and make the choices we make, and make sure we are leading a life true to who we are.
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Dressing a Renaissance Queen - is a short documentary film about the unusual circumstances surrounding the wedding of the future Queen Marie de Medici. The film takes you through the various stages of her dressing process detailing the dress itself and its relation to fashion of the time, along with facts surrounding her proxy wedding to King Henry the IV of France in 1600. Length: 8:15 minutes. Writer/Producer Nola Yergen:

I am a professional Costume Designer and Professor. A few years ago, I spent a year of research and another year of construction to build a historically accurate replica wedding dress for my renaissance-themed wedding. More recently, while preparing curriculum for my Costume Design Class I scoured the internet for a good video about Renaissance Fashion to show my class and found nothing, which inspired me to make my own.

As the dress had outlasted the marriage, I wanted to find another use for this labor of love.
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New You - A waitress with big dreams wants to be famous. She will do anything to reach her goal when she becomes a model. Length: 1 hour 26 minutes. Writer/Director/Producer Neilson Black:

The audience should watch this film because it will entertain them: visually pleasing, emotionally moving in parts, and very ‘now’ regarding the influence the fashion industry has on current culture.
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Ideal - A young model must decide whether to acquiesce to a photographer's increasingly horrifying demands. Length: 13 minutes. Director Kevan Tucker:

today’s beauty standards are completely fucked. They have little to no relationship with reality. What’s more, I think we’re self-aware enough as a culture to know this. We know that the model on the billboard has spent 3 hours in makeup with two dozen makeup and wardrobe stylists and lighting specialists tending to her.



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Fern - A visually rich fashion film crossing the boundaries of music videos and experimental filmmaking.  ‘Fern’ experiments with the subjective nature of reality and consciousness, telling a nightmarish tale of a relationship between two young lovers. Length: 4:21 minutes. Writer/Director Xiao-Wei Lu.

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Splendona - Dream and reality becomes blurred as a unique fashion model prepares for her runway debut. Length: 10 minutes. Writer/Director Kevin Vu:

I’ve always been drawn to characters who are misfits, specifically ones who yearn to be someone other than themselves. Usually, it’s driven by their desire for escapism or acceptance. Within the film, there are general universal themes which are drawn from my own personal experience – being misunderstood, loneliness, the inability to assimilate, to name a few. Of course, as a straight, cis-gendered, able-bodied male, I’ll never grasp what it must be like to experience life as a woman with body image concerns – especially in a culture that has unrealistic standards of appearance and perfection.