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Acid Green

February 06, 2024 by Carmela Baranowska

A person brushes the teeth of a dog and turns into a bus.

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February 06, 2024 /Carmela Baranowska
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All I've Got & Then Some

February 03, 2024 by Carmela Baranowska

A day in the life of a stand-up comedian living in his car and dating a girl who lives two cars behind him. We follow comic Rasheed over the course of a day as he tries to make it to his first paid gig while avoiding disastrous mishaps and moonlighting as a ride-share driver.

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February 03, 2024 /Carmela Baranowska
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Ensouled

February 02, 2024 by Carmela Baranowska

Deep within the enigmatic Eternia facility, Clara carries a heavy burden of concealed grief. But within these mysterious walls, her life is about to transform in ways she never imagined.

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February 02, 2024 /Carmela Baranowska
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Resurgence

February 01, 2024 by Carmela Baranowska

The survival story of a professional canyoneer after a near-death accident in the canyons of Southern Utah.

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February 01, 2024 /Carmela Baranowska
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Matta and Matto

January 31, 2024 by Carmela Baranowska

In a dystopian world where touch is forbidden, Matta and Matto offer refuge to the lonely at Hotel Vaip. In the deceptive labyrinth of mind-bending rooms at their transient hotel, deepest desires are fulfilled and surpassed, but this comes at a price.

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January 31, 2024 /Carmela Baranowska
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Affentanz - Hunter

January 30, 2024 by Carmela Baranowska

The hunter on the prowl. A stag in a scope. A finger on the trigger. But then – a crack. A smack from a faceless hooded figure. A knockout and darkness. After an indefinite time, the hunter wakes up naked deep in the forest. From there, everything will be different and is certainly not what you would expect.

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January 30, 2024 /Carmela Baranowska
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This Is a Story Without a Plan

January 27, 2024 by Carmela Baranowska

Two people, and an explosion.

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January 27, 2024 /Carmela Baranowska
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PU EKAW TNOD

January 26, 2024 by Carmela Baranowska

A couple watching a horror movie find themselves sucked into a waking nightmare.

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January 26, 2024 /Carmela Baranowska
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Fishing

January 25, 2024 by Carmela Baranowska

Sixteen-year-old Lola has been stuck in her room for three days; she confesses to a camcorder the secret keeping her locked inside.

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January 25, 2024 /Carmela Baranowska
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Shalal

January 24, 2024 by Carmela Baranowska

A boy named Mehran and his mother do not have a shadow. To get the shadow, Mehran hears the sound of people's shadows. He understands the time of death from the sound of people's shadows. He gives them a way to escape death by means of his black fur. When people accept. He and his mother get the shadow with the black fur. One night, he hears the voice of his classmate's father's shadow in the market. He tells the matter to his classmate. His classmate tells this to the school principal.

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January 24, 2024 /Carmela Baranowska
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I Would've Been Happy

January 23, 2024 by Carmela Baranowska

An attempt to map a fraught relationship through the use of intricately coded pictographs and schematic abstractions applied onto glazed ceramic tiles and quilted cyanotype fabric. The aesthetics of architectural language are used to reconstruct memories of my family's domestic spaces in the hope of uncovering the logic of a broken home.

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January 23, 2024 /Carmela Baranowska
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Look At Me

January 20, 2024 by Carmela Baranowska
 

A fictional autobiography about an insecure, awkward and lonely actor who goes on an unwitting journey of self-love in the midst of an eating disorder relapse.

Interview with Writer/Director/Producer/Actor Taylor Olson

 

Congratulations! Why did you make your film?

My first memory is the shame of being called chubby by my Auntie when I was five years old. Since then I've struggled with my self-image, and eventually bulimia. I'll be honest, I'm pretty socially awkward, and I've been bulimic since I was thirteen years old and have never been 'cured'. However, I have been on an ongoing, refreshing, failing, and - at times - unwitting journey towards something resembling self-love, and bonus, my bulimia is in frequent remission (woohoo!). Look At Me is the movie I've been eager to make since I started directing short films. I am so grateful this film exists. I was inspired by the Tribeca & Rotterdam hit I Am A Sex Addict where the filmmaker plays himself in the most honest, uncomfortable, and vulnerable work I'd seen at that point (six years ago). I saw an opportunity to adapt my play Heavy to the screen and tell my own story as honestly and with as much vulnerability as I could. Allowing my journey towards self-love to hopefully impact and ignite someone on their own journey to loving themselves.

Look At Me

Imagine I’m a member of the audience. Why should I watch this film?

If you're a fan of boundary-pushing filmmaking that takes risks, I hope Look At Me is the kind of film for you. It's an authentic exploration of my personal journey with self-image, body image, and bulimia. Through this film, we aim to break down stigmas surrounding mental health, encouraging open and compassionate discussions. The unique storytelling, with me portraying myself in a vulnerable role, provides an immersive experience, inviting you to connect with my journey.

How do personal and universal themes work in your film?

In Look At Me, I've woven together personal and universal themes to craft a narrative that's hopefully relatable. On a personal level, the film dives into my own experiences, tackling issues like self-image, body image, and my ongoing struggle with bulimia. These themes draw directly from my life, offering an unfiltered and authentic portrayal of my journey toward self-acceptance and self-love. These personal elements infuse the film with raw emotion, allowing you, as a viewer, to connect with me on a profoundly personal level.

Simultaneously, Look At Me touches upon universal themes that resonate beyond my own story. These include the universal human yearning for self-acceptance, the effects of societal pressures and expectations on mental well-being, and the common struggle to discover one's true self. By addressing these universal themes, the film becomes accessible and relatable to a broad audience, regardless of their personal experiences.

By combining these personal and universal elements in Look At Me, I aim to create a multi-layered narrative that enables viewers to both empathize with my specific journey and reflect on the broader themes that apply to many people's lives. This dual approach hopefully makes the film not just a personal exploration but also a catalyst for essential conversations about self-identity, mental health, and the shared human experience as a whole.

Look At Me

How have the script and film evolved over the course of their development?

The film changed dramatically over the course of the creation because she shot in five sequences over a year and a half. Therefore, I would write and shoot a section of the film, edit it, and then we'd rewrite the next section, shoot it, edit it on repeat. This meant that as we saw cuts of the film coming together we would evolve and change the story to organically shift as we saw it coming together.

What type of feedback have you received so far?

None yet! This will be our world premiere.

Has the feedback surprised or challenged your point of view?

I don't know yet!

What are you looking to achieve by having your film more visible on www.wearemovingstories.com?

I hope that we can find more film festivals to screen our film at and generally get eyes on the film so more people can catch the film both at Slamdance and in the future.

Look At Me

Who do you need to come on board (producers, sales agents, buyers, distributors, film festival directors, journalists) to amplify this film’s message?

We are wide open atm! We are looking for sales agents and distributors to come on board the film to get the film out there!

What type of impact and/or reception would you like this film to have?

I hope that the film offers an opportunity for other folks struggling with similar issues to feel seen and to create more awareness around the realities of eating disorders.

What’s a key question that will help spark a debate or begin a conversation about this film?

What are we as a society doing to combat the body shaming we have created through media and false expectations?

What other projects are the key creatives developing or working on now?

I'm in prep for my third feature film Unseen which is shooting this spring!

Look At Me poster

 

Interview: January 2024


We Are Moving Stories embraces new voices in drama, documentary, animation, TV, web series, music video, women's films, LGBTQIA+, POC, First Nations, scifi, supernatural, horror, world cinema. If you have just made a film - we'd love to hear from you. Or if you know a filmmaker - can you recommend us?  More info: Carmela


Look At Me

A fictional autobiography about an insecure, awkward and lonely actor who goes on an unwitting journey of self-love in the midst of an eating disorder relapse.

Length: 1:26:50

Director: Taylor Olson

Producer: Taylor Olson

Writer: Taylor Olson

About the writer, director and producer:

TAYLOR OLSON is a Canadian Screen Award & eleven-time ACTRA Award nominee. Taylor’s feature film directorial debut Bone Cage swept the awards at the Atlantic International Film Festival and earned over 30 additional accolades at festivals around the globe. Bone Cage appeared in competition at Camerimage, competed in the Forward Future section of the Beijing International Film Festival, and was nominated for two Canadian Screen Awards for Adapted Screenplay & Supporting Actress.

Key cast: Taylor Olson (Taylor), Koumbie (Mia), Sam Vigneault (Simon), Stephanie MacDonald (Kayla).

Looking for: sales agents, distributors, buyers

Facebook: Look At Me

Twitter: @taylorolson1993

Instagram: @lookatmefilm2024

Hashtags used: #lookatmefilm

Website: www.taylorolson.ca

Other: IMDb

Funders: Canada Council for the Arts, Arts NS, the province of Nova Scotia

Where can I watch it next and in the coming month?

Slamdance Film Festival in Park City Jan 21-23rd.

January 20, 2024 /Carmela Baranowska
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Saving Art

January 19, 2024 by Carmela Baranowska

Instead of telling his newly diagnosed five-year-old son that he has Leukaemia; Brian tells Arthur that the chemotherapy will give him superpowers. In a battle to keep them both positive, Brian is haunted by his lie as he struggles to find hope.

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January 19, 2024 /Carmela Baranowska
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Complications

January 18, 2024 by Carmela Baranowska

An intimate cam session unexpectedly turns into a suspenseful, life-and-death situation.

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January 18, 2024 /Carmela Baranowska
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Demons in the Closet

January 17, 2024 by Carmela Baranowska

A resident is challenged by demons from another realm in his closet.

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January 17, 2024 /Carmela Baranowska
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Blockbuster

January 13, 2024 by Carmela Baranowska

Obsessed with the practical effects of classic cinema, an amateur director decides to orchestrate a real building explosion for his next film.

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January 13, 2024 /Carmela Baranowska
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Hair or No Hair

January 12, 2024 by Carmela Baranowska

A young Black woman has been hiding behind wigs for years until her Alopecia is exposed publicly. She uses this experience as a catalyst to break free of the shame she feels towards her baldness.

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January 12, 2024 /Carmela Baranowska
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Cover

January 11, 2024 by Carmela Baranowska

17-year-old Monica is left to take care for her exuberant younger sister, Sarah, for the week. As the girls rush to school one morning, the tornado sirens suddenly wail outside.

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January 11, 2024 /Carmela Baranowska
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Dicks That I Like

January 10, 2024 by Carmela Baranowska

Visual artist Daniela Torres creates colorful ceramic dick sculptures inspired by the men who have been dicks to her. It’s a hands-on approach to healing that yields beautiful results.

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January 10, 2024 /Carmela Baranowska
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Rock Bottom

January 09, 2024 by Carmela Baranowska

Full of judgment, an actor’s first A.A. meeting on the beach leaves him shattered hoping to get back to the route.

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January 09, 2024 /Carmela Baranowska
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