Slamdance Film Festival 2020 – Big Fur
If World Champion taxidermist Ken Walker can’t find Bigfoot, he’ll make one.
Read MoreIf World Champion taxidermist Ken Walker can’t find Bigfoot, he’ll make one.
Read MoreDanny meets his online girlfriend for the first time but accidentally discovers an unspeakable possession of hers, which throws their first night together into a dizzying tailspin. Amidst the chaos, their mutual vulnerability and desire to connect pierces through and changes their lives forever.
Read MoreA group of refugees tries to reach themselves to a safe country in search of a better life. They pay a smuggler to convey them across the boarders in a fridge truck. However...
Read MoreOpia is a surreal exploration of the internal landscapes causing suicide clusters on college campuses-- executed in memoriam by a crew of young artists who have each lost loved ones themselves.
Read MoreA film crew for an upcoming feature film pushes the boundaries of consent during a courtesy rehearsal for its female lead.
Read MoreThe seemingly separate lives of an anxious, disillusioned teen girl and a troubled, alienated man converge fatefully in this haunting exploration of womanhood, isolation, and toxic masculinity, set in 1980s Newfoundland.
Read MoreIn a near-future world saturated by technology, Mars meets Jay, a young man desensitised by his profession. When Mars introduces Jay to a world outside their company's confines, they begin a journey from fear to love.
Read MoreThe universe does not care. The abyss is stupid. Narrated by author Bracken MacLeod, this Herzog-inspired fever dream uses 100% stock footage to reflect on the banality of existence.
Read MoreAn A.I. researcher is tasked with investigating the mysterious malfunctioning of QAS - a super-A.I. created to make the decisions that could save humanity from self-destruction.
Interview with Writer/Director Nyssa Mitchell
Congratulations! Why did you make your film?
I Am Awake, Always was my major film project for the final year of my undergraduate degree at the Victorian College of the Arts in Melbourne. Also. I love making films!
Imagine I’m a member of the audience. Why should I watch this film?
I'd like to think that the film is both visually compelling and thought-provoking. I wanted to create something that would be a cinematic experience for the audience, but also encourage them to reflect on the world around us, and how we can move forward in the future.
How do personal and universal themes work in your film?
I care a lot about what the future holds for our world, so this is a story I have wanted to tell for a long time. Growing up in this political and environmental climate, it's easy to find yourself feeling nihilistic about the future so what I really wanted to do was explore the intersection of fear and hope, and how hope - an intrinsically human experience - may ultimately be the one thing we can rely on to get us through uncertain times.
I Am Awake, Always
How have the script and film evolved over the course of their development?
The script went through a huge amount of development over several months. I struggled a lot at first because I had so many things I wanted to say through the film and it took a while to bring it down to one core theme. Thankfully I had the help of VCA Honours Screenwriting student Michael Norris, who was invaluable as an idea bouncing-board and also came with lots of great ideas himself.
What type of feedback have you received so far?
I haven't received too much feedback yet, as I'm still waiting to get my grades from the university assessors. But generally, my peers who have had the opportunity to watch it have said they found it really enjoyable, and from what I've heard I think I may have been successful in making it visually powerful and thought-provoking.
Has the feedback surprised or challenged your point of view?
There haven't been many surprises yet, but I suspect some of the assessors may have some things to say that I haven't heard yet
I Am Awake, Always
What are you looking to achieve by having your film more visible on www.wearemovingstories.com?
Mostly I would just like a platform to give the film more voice. I think it carries an important, relevant message that relates to a lot of discourse that's happening all over the world at the moment, and I believe that participating in that conversation - whether it is through art, politics, journalism etc - is a responsibility I have as a young adult on this planet.
Who do you need to come on board (producers, sales agents, buyers, distributors, film festival directors, journalists) to amplify this film’s message?
I would love the opportunity to network with some journalists or film festival directors.
What type of impact and/or reception would you like this film to have?
Again, my main goal was to create something thought-provoking that would inspire the audience to ask questions of themselves and our world. If it inspires to make a change in their life, or even spark a conversation with another, then I think I will have accomplished something really wonderful.
What’s a key question that will help spark a debate or begin a conversation about this film?
Can we trust humans to make the right decisions about the future?
What other projects are the key creatives developing or working on now?
I'm not too sure about the other crew, but in early 2020 I'll be working on a few proof-of-concept projects, and also a short film written by another VCA alumnus.
I Am Awake, Always poster
Interview: December 2019
We Are Moving Stories embraces new voices in drama, documentary, animation, TV, web series, music video, women's films, LGBTQIA+, POC, First Nations, scifi, supernatural, horror, world cinema. If you have just made a film - we'd love to hear from you. Or if you know a filmmaker - can you recommend us? More info: Carmela
I Am Awake, Always
An A.I. researcher is tasked with investigating the mysterious malfunctioning of QAS - a super-A.I. created to make the decisions that could save humanity from self-destruction.
Length: 12:30
Director: Nyssa Mitchell
Producer: Amy Mai
Writer: Nyssa Mitchell, Michael Norris
About the writer, director and producer:
NYSSA MITCHELL is a freelance cinematographer and director based in Melbourne, Australia. A graduate of the Victorian College of the Arts (BA Film & Television), she has encountered success with a number of her directed works, with her films being screened at festivals such as the London BFI Future Film Festival, Short Cuts Film Festival and UnScene Films.
Key cast: Lin Yin (Eve), Adam Crouch (QAS), Patrick Livesey (Joe)
Looking for: journalists, film festival directors
Facebook: I Am Awake, Always
Funders: Australian Cultural Fund
Where can I watch it next and in the coming month? VCA Graduate Screenings, Capitol Theatre, Melbourne. Sunday 15th Dec.
Narrated by the birds that roost in the rafters of a shopping centre, Peeps is a portrait of five unique teenage girls in contemporary Australia.
Read MoreEveryone's dreaming...but not everyone's waking up.
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While babysitting her newborn sister, a young astronomer struggles with a dark thought after encountering something eerie in the night sky.
Interview with Writer Nik Theorin, Directors Kris Theorin and Kurtis Theorin and Producer Amy Theorin
Watch This Dark Thought here:
Congratulations! Why did you make your film?
Many people loved the script and we were looking for a cool project that would be memorable and have an interesting visual style. It was a pretty unique idea with and we were all fans of the psychological horror genre. We also liked the idea of it being unclear whether the events of the film are supernatural or not.
Imagine I’m a member of the audience. Why should I watch this film?
Even though it is creepy, there is something cathartic in realizing we are not alone in our dark thoughts, even if we don't ever act on them as much as the girl in this film.
How do personal and universal themes work in your film?
Everyone has ugly impulses and bad thoughts. Our goal was to portray this universal feeling in a unique way that was specific to this character.
How have the script and film evolved over the course of their development?
It was a lot of refining to make the story flow better and finding ways to make the characters' emotions clear to the viewer. For example, the "Hit Her" phrase was originally "Hit her with the telescope" but the logistics of that were iffy.
What type of feedback have you received so far?
Well, we somewhat traumatized our grandmother with the film so... mission accomplished?
This Dark Thought
Has the feedback surprised or challenged your point of view?
Some people dislike the fact that it's ambiguous whether the hole in the sky is causing the character to act the way she is or if it is just her. This was an intentional choice on our part and it's interesting to see the different reactions to it.
What are you looking to achieve by having your film more visible on www.wearemovingstories.com?
We want to get our little creepy story out there. The world could use more psychological horror vignettes.
Who do you need to come on board (producers, sales agents, buyers, distributors, film festival directors, journalists) to amplify this film’s message?
Anyone who could help show our film to more people would be welcome!
What type of impact and/or reception would you like this film to have?
We want to unnerve people, but at the same time, we want to have people take - for lack of a better word - comfort in the fact that we all have dark impulses and that we don't have to act upon them. It's human nature.
What’s a key question that will help spark a debate or begin a conversation about this film?
Is the sky affecting the girl or the girl affecting the sky?
Would you like to add anything else?
I would like to thank everyone at Something's Awry Productions and Actuality Studios who helped make this film possible. Also would like to thank our live-action reference actress Evangeline Young and Baby Joey (who was a good sport through the whole thing).
What other projects are the key creatives developing or working on now?
We are developing/shopping several original/odd animated series so be on the lookout for more from Something's Awry!
This Dark Thought poster
Interview: December 2019
We Are Moving Stories embraces new voices in drama, documentary, animation, TV, web series, music video, women's films, LGBTQIA+, POC, First Nations, scifi, supernatural, horror, world cinema. If you have just made a film - we'd love to hear from you. Or if you know a filmmaker - can you recommend us? More info: Carmela
This Dark Thought
While babysitting her newborn sister, a young astronomer struggles with a dark thought after encountering something eerie in the night sky.
Length: 6:55
Director: Kris and Kurtis Theorin
Producer: Amy Theorin
Writer: Nik Theorin
Looking for: distributors, journalists, film festival directors
Facebook: Something's Awry Productions
Twitter: @omethingsawryp
Instagram: @somethingsawryproductions
Hashtags used: #ThisDarkThought
Website: somethingsawry.com
Experiencing infertility is a wild ride. Sex becomes science. Every aspect of your life and health gets scrutinized. “Caregivers” benefit financially from the despair of their patients. IV-effing is a short comedy based on writer/actor Jean Villepique’s own experience navigating this often absurd process.
Read MoreUpon the retelling of his first same-sex relationship as a teenager, an older man reflects on the strength and vulnerability required in both boxing and in relationships.
Read MoreIn the near future, a young social worker (Sunita Mani, Glow) travels to a small community to administer behavior-modifying "patches" that guarantee happiness for the wearers. She must decide what to do when a precocious girl (Audrey Bennett, Frozen on Broadway) refuses to accept the patch.
Read MoreArtist, Disrupter, Inspiration, Queen of Naughtiness Mo. Mo began her art in her 60s. At 65 she went back to college to study computers, to make her foray into the digital art world. Her artworks are refreshing, heartbreaking, controversial and beautiful. Rife with intuition and synchronicity, the power of her art exists well beyond the canvas (or aluminum), reaching people at just the right time. Follow her journey to her 80th birthday and a possible third art show. You can find more of her art at @ArtByMomoMurphy
Read MoreMay 1967. A penniless Franco-American producer meets an ambitious French theater actress in Paris. Both desperate to change the world, they decide to embark on an artistic project together, ending up in a small village in the South of France: Saint-Tropez.
Read MoreA single Indian mother's fight for her daughter's empowerment through skateboarding.
Read MoreA futuristic smartphone allows Will to connect to social media at the speed of thought. He quickly learns the cutting edge cuts deep.
Read MoreAn immigration officer is asking a young Pakistani woman to present “material proof” that she is entering the marriage with a US citizen “in good faith.” What she considers the most important proof would make her family either kill her or have her killed. Proof is a film about a young couple that celebrates their love and their individual and shared struggles, in a world where immigration becomes an increasingly polarized and polarizing societal issue.
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